DVDpedia : Library : Title : I

Theatrical: 2002

Studio: New Line Home Video

Genre: Drama

Duration: 134

Summary: "I Am Sam" makes you laugh, cry, and recoil all at the same time. Perhaps no other film of recent memory has epitomized the shameless sentimentality of Hollywood as succinctly as director and screenwriter Jessie Nelson's story of a mentally challenged man fighting to retain custody of his 7-year-old daughter. Sam (Sean Penn), who has the mental age of 7, wipes down tables at a Los Angeles Starbucks and takes good care of his daughter Lucy, who was left with him shortly after birth by a homeless woman. Sam has gotten by just fine with a little help from his friends, including his eccentric neighbor (Diane Wiest) and a lovable group of similarly challenged friends, but a series of misunderstandings leaves Sam fighting to get Lucy back from the state. Sam's lawyer, Rita Harrison (Michelle Pfeiffer), is an overly ambitious woman whose life is soon transformed by proximity to Sam's brimming humanity. Sean Penn is, as usual, wholeheartedly committed to his role and turns in an admirable, if overtly affected performance. However, "I Am Sam", with all its earnest charm, reaches an emblematic low when Sam, a character apparently devoid of any authentic sentiment, delivers a courtroom speech memorized from "Kramer vs. Kramer" as the film's finale. "--Fionn Meade"

Theatrical: 2004

Studio: 20th Century Fox

Genre: Art House & International

Duration: 106

Summary: Billed as "an existential comedy," "I Heart Huckabees" is a flawed yet endearingly audacious screwball romp that dares to ponder life's biggest questions. Much of director David O. Russell's philosophical humor is dense, talky, and impenetrable, leading critic Roger Ebert to observe that "it leaves the viewer out of the loop," and suggesting that Russell's screenplay (written with his assistant, Jeff Baena) is admirably bold yet frustratingly undisciplined. Russell's ideas are big but his expression of them is frenetic, centering on the unlikely pairing of an environmentalist (Jason Schwartzman) and a firefighter (Mark Wahlberg) as they depend on existential detectives (Lily Tomlin, Dustin Hoffman) and a French nihilist (Isabelle Huppert) to make sense of their existential crises, brought on (respectively) by a two-faced chain-store executive (Jude Law) and his spokesmodel girlfriend (Naomi Watts), and the aftermath of 9/11's terrorism. No brief description can do justice to Russell's comedic conceit; you'll either be annoyed and mystified or elated and delighted by this wacky primer for coping with 21st century lunacy. Deserving of its mixed reviews, "I Heart Huckabees" is an audacious mess, like life itself, and accepting that is the key to enjoying both. "--Jeff Shannon"

Theatrical: 1997

Studio: Lions Gate

Genre: Animation

Duration: 75

Summary: A newlywed develops a strange lump on his neck that gives him the ability to transform people or objects at will. His wife is very upset. Meanwhile, the CEO of Smilecorp learns of this man and his ability and sees a way to achieve world domination if only the man can be taken alive.

Theatrical: 1996

Studio: MGM (Video & DVD)

Genre: Drama

Duration: 103

Summary: Mary Harron's feature--which picked up a Special Jury Award at the 1996 Sundance Film Festival for lead actress and independent film mainstay Lili Taylor--is a highly suspect mishmash of golly-gee counterculture reconstruction and inflammatory agitprop. Harron re-creates the ultimately violent relationship of motor-mouth street freak writer-prostitute-lesbian-gun-wielding assailant Valerie Solanas (Taylor) and pop artist Andy Warhol (Jared Harris) in the late 1960s, which ended in Solanas's assault on Warhol for his charmingly noncommittal responses to her search for a patron. It's a great idea for a film, but "I Shot Andy Warhol" is truly at odds with itself. Harron's modular construction of the story--part naive reenactment of the instant-celebrity life at Warhol's studio, part celebration of Solanas's subversive ramblings, part investigation into the roots of her hyper-victimization at, apparently, the hands of all men--is ultimately a shell game that allows the writer-director to avoid taking a clear stand on Solanas's bizarro politics. The cast is the only draw here: besides indie-film queen Taylor, Jared Harris makes for a convincingly cagey Warhol. "--Tom Keogh"

Theatrical: 2002

Studio: Sony Pictures

Genre: Action & Adventure

Duration: 97

Summary: Eddie Murphy needed a comeback after "The Adventures of Pluto Nash", but "I Spy" didn't provide it. As with his previous turkey, Murphy's the least of this movie's problems; his spitfire delivery begs for better plotting and dialogue, and his teaming with Owen Wilson had even more promise than Wilson's "Shanghai" comedies with Jackie Chan. But this unfunny hash--bearing no resemblance to the 1960s Bill Cosby-Robert Culp TV series that inspired it--undermines Murphy and Wilson at every turn, stranding them in scenes that play well in isolation but never form a coherent action-comedy. It's not that director Betty Thomas is incapable; she just seems uninterested, going through the motions while Eddie, Owen, and Famke Janssen play spy games in Budapest, chasing after a villain (Malcolm McDowell, wasted again) who's stolen a sleek, invisibility-cloaked jet bomber called the Switchblade. Explosions, shootouts, double-crosses... ignore it all, and find what pleasure you can in Eddie and Owen's aimless banter. "--Jeff Shannon"

Theatrical: 2004

Studio: 20th Century Fox

Genre: Action & Adventure

Duration: 114

Summary: As paranoid cop Del Spooner, Will Smith ("Independence Day", "Men in Black") displays both his trademark quips and some impressive pectoral muscles in "I, Robot". Only Spooner suspects that the robots that provide the near future with menial labor are going to turn on mankind--he's just not sure how. When a leading roboticist dies suspiciously, Spooner pursues a trail that may prove his suspicions. Don't expect much of a connection to Isaac Asimov's classic science fiction stories; "I, Robot", the action movie, isn't prepared for any ruminations on the significance of artificial intelligence. This likable, efficient movie won't break any new ground, but it does have an idea or two to accompany its jolts and thrills, which puts it ahead of most recent action flicks. Also featuring Bridget Moynahan ("The Sum of All Fears"), Bruce Greenwood ("The Sweet Hereafter"), and James Cromwell ("Babe", "LA Confidential"). "--Bret Fetzer"

Theatrical: 1997

Studio: 20th Century Fox

Genre: Drama

Duration: 114

Summary: When a self-centered husband's relationship with his wife and mistress grow cold, it takes a wife-swapping "key party" and a freak ice storm to clear the air and change their lives forever. Director Ang Lee offers a compelling look at a controversial era.

Theatrical: 2003

Studio: Sony Pictures Home Entertainment

Genre: Crime

Duration: 90

Summary: Strangers from all different walks of life: a limo driver escorting a movie star, parents with a young son, a cop transporting a convict, a prostitute, a young couple, and a motel manager are caught up in a nasty rainstorm, stuck at a motel in desolate Nevada. Soon they realize they may be at the motel for another reason when one by one, people start getting killed off. As tensions flare and fingers are pointed, they have to get to the bottom of why they're there. Meanwhile in an undisclosed location, a psychiatrist is trying to prove the innocence of a man accused of murder in an eleventh hour trial. How these two through-lines are related can only be found in Identity.

Theatrical: 2006

Studio: 20th Century Fox

Genre: Drama

Duration: 109

Summary: First screened in Europe and scheduled for limited release in the U.S., "The Illusionist" offers welcome proof that "arthouse" quality needn't be limited to the arthouses. Set in turn-of-the-century Vienna, this stately, elegant period film benefited from a crossover release in mainstream cinemas, and showed considerable box-office staying power--granted, teenage mallrats and lusty males may have been drawn to the allure of "Seventh Heaven" alumna Jessica Biel, who rises to the occasion with a fine performance. But there's equal appeal in the casting of Edward Norton and Paul Giamatti, who bring their formidable talents to bear on the intriguing tale of a celebrated magician named Eisenheim (Norton) whose stage performance offends the Crown Prince Leopold (Rufus Sewell), a vindictive lout who aims to marry Duchess Sophie (Biel), Eisenheim's childhood friend and now, 15 years later, his would-be lover. This romantic rivalry and Eisenheim's increasingly enigmatic craft of illusion are investigated by Chief Inspector Uhl (Giamatti), who's under Leopold's command and is therefore not to be trusted as Eisenheim and Sophie draw closer to their inevitable reunion. Cleverly adapted by director Neil Burger from Steven Millhauser's short story "Eisenheim the Illusionist," and boasting exquisite production values and a fine score by Philip Glass, "The Illusionist" is the kind of class act that fully deserved its unusually wide and appreciative audience. -- "Jeff Shannon"

Beyond "The Illusionist"
"Eisenheim the Illusionist" and Other Stories


Paul Giamatti in a More Loveable Role
Magic Kits & Accessories Stills from "The Illusionist"

Theatrical: 2007

Studio:

Genre: Documentary

Duration: 100

Summary:

Theatrical: 2006

Studio: Paramount

Genre: Documentary

Duration: 96

Summary: With the fate of our planet arguably hanging in the balance, "An Inconvenient Truth" may prove to be one of the most important and prescient documentaries of all time. As he jokingly refers to himself, "former President-elect" Al Gore felt an urgent personal calling to draw attention--as he had been doing throughout his political career--to the increasingly desperate crisis of global warming, and this riveting documentary is basically a filmed version (by respected TV director Davis Guggenheim) of the PowerPoint lecture that Gore has presented (by his own estimate, well over 1,000 times) to attentive audiences all over the world. Considering Gore's amiable, low-key approach to charts, graphs, statistics, and photographs that leave no room for doubt regarding the "reality" (not "theory") of global warming as Earth's ultimate environmental crisis, many viewers will be surprised by just how fascinating and convincing this no-frills film really is.
As we learn about the milestone events that shaped his character (including his sister's death and young son's near-fatal injuries after being struck by a car), Gore sheds the stiff demeanor of his 2000 presidential campaign and impresses us as a man with a mission, transcending partisan politics with an impassioned plea for common sense, ethical forthrightness, and passionate purpose in reversing the harmful effects of global warming through personal and political responsibility. Some may accuse Gore of exploiting global warming as a Democratic platform, but his honest conviction regarding this "inconvenient truth" (i.e. overwhelming evidence of global warming that's troublesome to those whose interests are threatened by Gore's irrefutable message) is likely to silence all but the most obtusely stubborn detractors. By taking the high road and discreetly avoiding a full-on assault against the George W. Bush administration (which has steadfastly avoided "the inconvenient truth" with obfuscating spin control and policies favoring the oil industry), Gore effectively rises above political differences with a stern but hopeful eye toward a better future for our children."--Jeff Shannon"

Theatrical: 2004

Studio: Walt Disney Home Entertainment

Genre: Kids & Family

Duration: 115

Summary: Disney The Incredibles (2-Disc Collector's Edition) - Widescreen DVD
From the Academy Award winning creators of Finding Nemo (2003 Best Animated Feature Film) comes the action-packed animated adventure about the mundane and incredible lives of a house full of superheroes. Bob Parr and his wife Helen used to be among the world's greatest crime fighters,saving lives and battling evil on a daily basis. Fifteen years later, they have been forced to adopt civilian identities and retreat to the suburbs where they live "normal" lives with their three kids, Violet, Dash, and Jack-Jack. Itching to get back into action, Bob gets his chance when a mysterious communication summons him to a remote island for a top secret assignment. But he soon discovers that it will take a super family effort to rescue the world from total destruction. Exploding with fun and featuring an all-new animated short film, this spectacular 2-disc collector's edition DVD is high-flying entertainment for everyone.

Theatrical: 1996

Studio: 20th Century Fox

Genre: Action & Adventure

Duration: 153

Summary: On July 2nd, communications systems worldwide are sent into chaos. A number of enormous objects are on a collision course with Earth that are revealed to be gigantic alien spacecraft. After attempts to communicate with the aliens go nowhere an ex-scientist turned cable technician discovers that the aliens are going to attack. On July 3rd, the aliens destroy New York, Los Angeles and Washington. The survivors devise a plan to fight back and July 4th becomes the day humanity will fight for its freedom. July 4th is their Independence Day...

System Requirements:
Running Time 153 Min

Format: DVD MOVIE

Theatrical: 1984

Studio: Paramount

Genre: Action & Adventure

Duration: 546

Summary: As with "Star Wars", the George Lucas-produced "Indiana Jones" trilogy was not just a plaything for kids but an act of nostalgic affection toward a lost phenomenon: the cliffhanging movie serials of the past. Episodic in structure and with fate hanging in the balance about every 10 minutes, the "Jones" features tapped into Lucas's extremely profitable "Star Wars" formula of modernizing the look and feel of an old, but popular, story model. Steven Spielberg directed all three films, which are set in the late 1930s and early '40s: the comic book-like "Raiders of the Lost Ark", the spooky, "Gunga Din"-inspired "Indiana Jones and the Temple of Doom", and the cautious but entertaining "Indiana Jones and the Last Crusade". Fans and critics disagree over the order of preference, some even finding the middle movie nearly repugnant in its violence. (Pro-"Temple of Doom" people, on the other hand, believe that film to be the most disarmingly creative and emotionally effective of the trio.) One thing's for sure: Harrison Ford's swaggering, two-fisted, self-effacing performance worked like a charm, and the art of cracking bullwhips was probably never quite the iconic activity it soon became after "Raiders". Supporting players and costars were very much a part of the series, too--Karen Allen, Sean Connery (as Indie's dad), Kate Capshaw, Ke Huy Quan, Amrish Puri, Denholm Elliot, River Phoenix, and John Rhys-Davies among them. Years have passed since the last film (another is supposedly in the works), but emerging film buffs can have the same fun their predecessors did picking out numerous references to Hollywood classics and B-movies of the past. "--Tom Keogh"

Theatrical: 1984

Studio: Paramount

Genre: Action & Adventure

Duration: 546

Summary: As with "Star Wars", the George Lucas-produced "Indiana Jones" trilogy was not just a plaything for kids but an act of nostalgic affection toward a lost phenomenon: the cliffhanging movie serials of the past. Episodic in structure and with fate hanging in the balance about every 10 minutes, the "Jones" features tapped into Lucas's extremely profitable "Star Wars" formula of modernizing the look and feel of an old, but popular, story model. Steven Spielberg directed all three films, which are set in the late 1930s and early '40s: the comic book-like "Raiders of the Lost Ark", the spooky, "Gunga Din"-inspired "Indiana Jones and the Temple of Doom", and the cautious but entertaining "Indiana Jones and the Last Crusade". Fans and critics disagree over the order of preference, some even finding the middle movie nearly repugnant in its violence. (Pro-"Temple of Doom" people, on the other hand, believe that film to be the most disarmingly creative and emotionally effective of the trio.) One thing's for sure: Harrison Ford's swaggering, two-fisted, self-effacing performance worked like a charm, and the art of cracking bullwhips was probably never quite the iconic activity it soon became after "Raiders". Supporting players and costars were very much a part of the series, too--Karen Allen, Sean Connery (as Indie's dad), Kate Capshaw, Ke Huy Quan, Amrish Puri, Denholm Elliot, River Phoenix, and John Rhys-Davies among them. Years have passed since the last film (another is supposedly in the works), but emerging film buffs can have the same fun their predecessors did picking out numerous references to Hollywood classics and B-movies of the past. "--Tom Keogh"

Theatrical: 1984

Studio: Paramount Home Video

Genre: Action & Adventure

Duration: 546

Summary: As with "Star Wars", the George Lucas-produced "Indiana Jones" trilogy was not just a plaything for kids but an act of nostalgic affection toward a lost phenomenon: the cliffhanging movie serials of the past. Episodic in structure and with fate hanging in the balance about every 10 minutes, the "Jones" features tapped into Lucas's extremely profitable "Star Wars" formula of modernizing the look and feel of an old, but popular, story model. Steven Spielberg directed all three films, which are set in the late 1930s and early '40s: the comic book-like "Raiders of the Lost Ark", the spooky, "Gunga Din"-inspired "Indiana Jones and the Temple of Doom", and the cautious but entertaining "Indiana Jones and the Last Crusade". Fans and critics disagree over the order of preference, some even finding the middle movie nearly repugnant in its violence. (Pro-"Temple of Doom" people, on the other hand, believe that film to be the most disarmingly creative and emotionally effective of the trio.) One thing's for sure: Harrison Ford's swaggering, two-fisted, self-effacing performance worked like a charm, and the art of cracking bullwhips was probably never quite the iconic activity it soon became after "Raiders". Supporting players and costars were very much a part of the series, too--Karen Allen, Sean Connery (as Indie's dad), Kate Capshaw, Ke Huy Quan, Amrish Puri, Denholm Elliot, River Phoenix, and John Rhys-Davies among them. Years have passed since the last film (another is supposedly in the works), but emerging film buffs can have the same fun their predecessors did picking out numerous references to Hollywood classics and B-movies of the past. "--Tom Keogh"

Theatrical: 2006

Studio: Absurda / Rhino

Genre: Drama

Duration: 180

Summary: A blonde actress is preparing for her biggest role yet, but when she finds herself falling for her co-star, she realizes that her life is beginning to mimic the fictional film that they're shooting. Adding to her confusion is the revelation that the current film is a remake of a doomed Polish production, 47, which was never finished due to an unspeakable tragedy.

Theatrical: 2002

Studio: Warner Home Video

Genre: Horror

Duration: 118

Summary: Crime never sleeps. Neither does Will Dormer (AL PACINO), a veteran LAPD homicide detective sent north to Alaska to head a murder case. There his investigation is disrupted by an ever-shining Midnight Sun that wreaks sleep-depriving havoc on his body clock and brings Dormer's shady, guilt-plagued past into the light of day.
DVD Features:
Audio Commentary
Biographies
Documentaries
Featurette
Filmographies
Interviews
Photo gallery
Theatrical Trailer

Theatrical: 2001

Studio: Lions Gate

Genre: Thriller

Duration: 108

Summary: An enigmatic tale of four people whose lives are intertwined by destiny are subject to the laws of fate. They discover that luck is something they cannot afford to be without as they gamble with the highest stakes possible in a deadly game from which only one of them will emerge intact. There is Tomas, a young thief and the sole survivor of a horrific plane crash; Federico, who survived a massive earthquake and discovered he has the power to rob those around him of their good fortune with a touch; Sam, a casino owner who is the ultimate survivor after losing everything but his own life in the terrible conflagration that enveloped Europe during the Second World War; and Sara, a policewoman who walked away from a car crash that killed her family and becomes obsessed with uncovering the truth behind a clandestine gambling ring where death and luck intermingle.

Theatrical: 2002

Studio: Miramax Home Entertainment

Genre: Crime

Duration: 101

Summary: Shawn Yue plays a young police officer who has been sent undercover as a mole in the local mafia. Edison Chen plays a young mafia member who is infiltrating the police force. Years later, their older counterparts, Tony Leung and Andy Lau respectively, race against time to expose the mole within their midsts and destroy him.

Theatrical: 1999

Studio: New Line Home Video

Genre: Drama

Duration: 188

Summary: 24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad. Earl Partridge's son is a charismatic misogynist; Jimmy Gator's daughter is a cokehead and waif. A mild and caring nurse intercedes for Earl, reaching the son; a prayerful and upright beat cop meets the daughter, is attracted to her, and leads her toward a new calm. Meanwhile, guilt consumes Earl's young wife, while two whiz kids, one grown and a loser and the other young and pressured, face their situations. The weather, too, is quirky.

Theatrical: 2007

Studio: Sony Pictures Home Ent

Genre: Drama

Duration: 84

Summary:

Theatrical: 2001

Studio: Anime Works

Genre: Anime & Manga

Duration: 225

Summary: Comic book artist Jhonen Vasquez's outré sci-fi spoof, which ran on Nicktoons at Night from March 2001 to December 2002, remains the object of a vociferous cult following. Pressure from the fans compelled Nickelodeon to resume production of "Invader Zim" twice before the show was cancelled permanently. The title character is a zealous, none-too-bright agent from the Irken Empire posing a human boy. Zim imagines he's gathering vital information for the imminent conquest of Earth; the Irken leaders actually sent him here to get rid of him. With the rather spotty assistance of Gir, his robot sidekick disguised as a dog, Zim alternately sneers at humanity and gets himself into trouble. The only person who recognizes Zim as an alien is his UFO-obsessed classmate, Dib.
The two-disc set is loaded with extras that will delight fans of the show, including commentaries by Vasquez and several of the story and voice artists, a second "commentary" of pigs grunting, subtitles in Irken, and the original pilot for the series. The uninitiated may find "Invader Zim" suggests a cross between "Dexter's Laboratory" and "Jimmy Neutron" re-imagined by Tim Burton. The bizarre designs, over-the-top vocal performances, and bodily function jokes are not for the faint-hearted, but they're not supposed to be. (Unrated, suitable for ages 10 and older: cartoon violence, gross humor) "--Charles Solomon"

Theatrical: 2001

Studio: Anime Works

Genre: Anime & Manga

Duration: 225

Summary: Prepare yourself for some Irken yuletide goodness as Zim concludes its triumphant DVD release. Featuring the highly sought after "unaired" season two episodes, ZIM fans will finally get what they've been waiting for. Watch ZIM eat waffles while a pair of backseat drivers make trouble from beyond the stars. See Mortos steal souls as a Fry cook appears from all that space. Yes boys and girls, there is a Santa... and he's bent on world domination!

Theatrical: 2001

Studio: Anime Works

Genre: Anime & Manga

Duration: 225

Summary: Zim's mighty need to destroy all of humanity knows no bounds. Fortunately for Earth, he's a cosmically inept fool! But this Invader has more to deal with than that so-called self-proclaimed protector of our planet, Dib. The path to conquest is paved with hazardous challenges, including all of the prickly, meat-flavored horrors that Earth has to offer. Zim must outwit Mall Security, endure the terror of Bloaty's Pizza Hog, and defeat the evil of space babies!

System Requirements:
Running Time 225 Min

Format: DVD MOVIE