DVDpedia : Library : Title : U

Theatrical: 1997

Studio: Sony Pictures

Genre: Action & Adventure

Duration: 124

Summary: Oliver Stone used such words as "liberating" and "fun" to talk about "U Turn"'s relatively quick production schedule of 42 days. Stone's ideas of film fun, however, are something older generations would call sick. This film is a Southwestern noir tale about Bobby Cooper (Sean Penn), a hotshot who is stuck in the tight confines of Superior, Arizona, when his car breaks down. His subsequent adventure is a meatball comedy--loud, obnoxious, and violent, and stuffed with diffused light, a hot cast, and a no-fat Ennio Morricone score. This film has plenty of odd characters, but you never really find out much about them. Bobby's first encounters include a repulsive mechanic (Billy Bob Thornton under the grease) and a blind Indian (Jon Voight under the makeup). Then there's Grace McKenna (a sizzling Jennifer Lopez), who is as dangerous as the curves of her red sundress. Bobby's got time to kill, and Grace seems more than willing. Unfortunately, it seems that Bobby has never seen a movie such as "A Touch of Evil"; if he had, he would know it can only get worse. About the time Grace's husband, Jake (Nick Nolte), shows up, Bobby is knee-deep in murder plots and double-crosses.
The first 40 minutes or so are "fun" to a point. Penn is the perfect near-creep to root for, and as he wanders back into town after meeting Grace, the eclectic characters pile up. But soon it gets monotonous, tiring, and just plain ugly. And when incest and bloody fights begin, the fun is gone. If Penn weren't so solid an actor and able to be empathetic in the most morose situations, the movie would be unwatchable at stretches. Lopez makes another good impression, but this is not a performance that stands out. Nolte, raspy and ill-looking, is the Lee Marvin of the '90s. Before "U Turn" is over, you are already wondering if Oliver Stone will do something else, something more important, soon. "--Doug Thomas"

Theatrical: 1989

Studio: MGM (Video & DVD)

Genre: Comedy

Duration: 97

Summary: "Weird Al" Yankovic, Kevin McCarthy (Innerspace), Michael Richards ("Seinfeld"), David Bowie (The Cable Guy), Victoria Jackson ("Saturday Night Live") and Fran Drescher ("The Nanny") star in this inspired comedy about an offbeat guy who turns a deadbeat TV station into a raging success! Broadcasting Weird Al's uniquely strange brand of humor, UHF's Channel 62 is a place you'll want to visit...with increasing frequency! George Newman (Weird Al) is a daydreamer whose hyperactive imagination keeps him from holding a steady job...until his uncle hires him as manager of Channel 62, a TV station that's losing money and viewers fast. But when George replaces the station's reruns with bizarre programs like "Wheel of Fish," "The Wonderful World Of Phlegm" and "Raul's Wild Kingdom" (where poodles fly from third-story windows), ratings begin to soar! But as the ratings rise, so does the wrath of TV mogul R.J. Fletcher (McCarthy), who wants to turn the station into a parking lot. Can George find the money he needs to stay on the air? Stay tuned!

Theatrical: 2006

Studio: Sony Pictures

Genre: Action & Adventure

Duration: 94

Summary: As an overdose of eye candy, "Ultraviolet" can be marginally recommended as the second-half of a double-feature with "Aeon Flux". Both films are disposable adolescent fantasies featuring a butt-kicking babe (in this case, the svelte and sexy Milla Jovovich) in a dystopian future, and both specialize in the kind of barely-coherent, video-game storytelling that's constantly overwhelmed by an over-abundance of low-budget CGI. Director Kurt Wimmer fared much better with his earlier film "Equilibrium", but he's trying for a lively comic-book vibe here (beginning with "Hulk"-like opening credits) with a digitally enhanced, "Tron"-like color palette. It largely suits this late-21st century story of a "blood war" between the ultra-violent Violet (Jovovich), member of a vampire-like group of resistance fighters infected with a man-made virus called the Hemophage, and the human Vice Cardinal Daxus (Nick Chinlund), who's determined to eliminate Violet's kind once and for all. Wimmer takes all of this way too seriously, crafting a plot involving Violet's rescue of a human clone boy (Cameron Bright) that's intended as an homage to John Cassevetes' 1980 drama "Gloria", but Wimmer's good intentions are mostly lost in a repetitive series of chaotically choreographed fight scenes, mostly involving the tight-bodied Jovovich wiping out dozens of armor-clad enemies. It's all too numbingly hectic to qualify as a satisfying movie, but sci-fi buffs should give it a look anyway, if only to see how locations in Shanghai and Hong Kong contribute to the film's futuristic design."--Jeff Shannon"

Theatrical: 2000

Studio: Walt Disney Video

Genre: Drama

Duration: 107

Summary: Bruce Willis and Samuel L. Jackson star in a mind-shattering, suspense-filled thriller that stays with you long after the end of this riveting supernatural film. After David Dunn (Willis) emerges from a horrific train crash as the sole survivor -- and without a single scratch on him -- he meets a mysterious sranger (Jackson). An unsettling stranger who believes comic book heroes walk the earth. A haunting stranger, whose obsession with David will change David's life forever.

Theatrical: 2002

Studio: Universal Studios

Genre: Comedy

Duration: 87

Summary: Blaxploitation movies deserve a good spoofing, and "Undercover Brother" tweaks the subgenre with a few good laughs. But what might have been an Afro-centric "Austin Powers" (adapted by John Ridley from his Internet film series) is instead a lackluster comedy with one basic joke: "Whitey"--personified as a faceless corporate despot known as "the Man"--has the power, but black folks have "soul". With enough funk to make "Shaft" look passé, Eddie Griffin plays "U.B." with an oversized 'fro and a firm grasp of comedic possibilities. He's recruited by the B.R.O.T.H.E.R.H.O.O.D. (an all-black justice league) to foil the Man's plan to derail a Colin Powell-like presidential candidate (Billy Dee Williams), and U.B.'s undercover exploits keep the slim plot moving. Denise Richards and Neil Patrick Harris are gamely ridiculed as token white allies, and it's all in good fun as director Malcolm D. Lee (Spike's cousin) finds room for mild jolts of relevant social commentary. "--Jeff Shannon"

Theatrical: 2003

Studio: Sony Pictures

Genre: Action & Adventure

Duration: 121

Summary: "Blade" meets "The Crow" and "The Matrix" in "Underworld", a hybrid thriller that rewrites the rulebook on werewolves and vampires. It's a "cuisinart" movie (blend a lot of familiar ideas and hope something interesting happens) in which immortal vampire "death dealers" wage an ancient war against "Lycans" (werewolves), who've got centuries of revenge--and some rather ambitious genetic experiments--on their lycanthropic agenda. Given his preoccupation with gloomy architecture (mostly filmed in Budapest, Hungary), frenetic mayhem and gothic costuming, it's no surprise that first-time director Len Wiseman gained experience in TV commercials and the art departments of "Godzilla", "Men in Black", and "Independence Day". His work is all surface, no substance, filled with derivative, grand-scale action as conflicted vampire Selene (Kate Beckinsale, who later became engaged to Wiseman) struggles to rescue an ill-fated human (Scott Speedman) from Lycan transformation. It's great looking all the way, and a guaranteed treat for horror buffs, who will eagerly dissect its many strengths and weaknesses. "--Jeff Shannon"

Theatrical: 2006

Studio: Sony Pictures

Genre: Action & Adventure

Duration: 106

Summary: Better action, a bit of sex, and gorier R-rated violence make "Underworld: Evolution" a reasonably satisfying sequel to 2003's surprise hit "Underworld". Looking stunning as ever in her black leather battle gear, Kate Beckinsale is every goth guy's fantasy as Selene, the vampire "death dealer" who's now fighting to stop the release of the original "Lycan" werewolf, William (Brian Steele) from the prison that's held him for centuries. As we learn from the film's action-packed prologue, William and his brother Marcus (Tony Curran) began the bloodline of vampires and werewolves, and after witnessing centuries of warfare between them, their immortal father Corvinus (Derek Jacobi) now seeks Selene and the human vampire/lycan hybrid Michael (Scott Speedman) to put an end to the war perpetuated by Victor (Bill Nighy), the vampire warrior whose betrayal of Selene turns "Underworld: Evolution" into an epic tale of familial revenge. This ambitious attempt at Shakespearean horror is compromised by a script (by Danny McBride and returning director Len Wiseman, Beckinsale's real-life husband) that's more confusing than it needs to be, with too many characters and not enough storytelling detail to flesh them all out. Aspiring to greatness and falling well short of that goal, "Underworld: Evolution" succeeds instead as a full-throttle action/horror thriller, with enough swordplay, gunplay, and CGI monsters to justify the continuation of the "Underworld" franchise. If you're an established fan, this is a must-see movie; if not, well... at least it's better than "Van Helsing"! "--Jeff Shannon"

Theatrical: 2003

Studio: Sony Pictures

Genre: Action & Adventure

Duration: 134

Summary: I would certainly advise getting the extended unrated version of this film. It fills in a little more of the story and helps flesh out the story more. Filled with tons of extras at a reasonable price makes this worth the purchase. The movie itself is good and the special effects are top notch. It falls just a bit short of being a 5 star movie, but the disc itself is 5 stars.

Theatrical: 2006

Studio: Weinstein Company

Genre: Drama

Duration: 98

Summary:

Theatrical: 1987

Studio: Paramount

Genre: Action & Adventure

Duration: 119

Summary: As noted critic Pauline Kael wrote, the 1987 box-office hit "The Untouchables" is "like an attempt to visualize the public's collective dream of Chicago gangsters." In other words, this lavish reworking of the vintage TV series is a rousing potboiler from a bygone era, so beautifully designed and photographed--and so craftily directed by Brian De Palma--that the historical reality of Prohibition-era Chicago could only pale in comparison. From a script by David Mamet, the movie pits four underdog heroes (the maverick lawmen known as the Untouchables) against a singular villain in Al Capone, played by Robert De Niro as a dapper caesar holding court (and a baseball bat) against any and all challengers. Kevin Costner is the naive federal agent Eliot Ness, whose lack of experience is tempered by the streetwise alliance of a seasoned Chicago cop (Sean Connery, in an Oscar-winning performance), a rookie marksman (Andy Garcia), and an accountant (Charles Martin Smith) who holds the key to Capone's potential downfall. The movie approaches greatness on the strength of its set pieces, such as the siege near the Canadian border, the venal ambush at Connery's apartment, and the train-station shootout partially modeled after the "Odessa steps" sequences of the Russian classic "Battleship Potemkin". It's thrilling stuff, fueled by Ennio Morricone's dynamic score, but it's also manipulative and obvious. If you're inclined to be critical, the movie gives you reason to complain. If you'd rather sit back and enjoy a first-rate production with an all-star cast, "The Untouchables" may very well strike you as a classic. "--Jeff Shannon"

Theatrical: 1995

Studio: MGM Entertainment

Genre: Action & Adventure

Duration: 106

Summary: Winner of two 1995 Academy AwardsÂ(r), including Best Original Screenplay, this masterful, atmospheric film noir enraptured audiences with its complex and riveting storyline, gritty, tour-de-force performances (including an OscarÂ(r)-winning* turn by Kevin Spacey) and a climax that is truly deserving of the word stunning. Also starring Stephen Baldwin, Gabriel Byrne, Chazz Palminteri, Kevin Pollak and Pete Postlethwaite, this 'thoroughly engrossing film (HBO) is so gripping and diabolically clever (The Wall Street Journal) that it becomes a maze you'll be happy to get lost in (Los Angeles Times)! Held in an L.A. interrogation room, Verbal Kint attempts to convince the feds that the mythic crime lord not only exists, but was also responsible for drawinghim and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro Harborleaving few survivors. But as Kint lures his interrogators into the incredible story of this crime lord's almost supernatural prowess, so too will you be mesmerized by a lore that is completely captivating from beginning to end!