DVDpedia : Library : Title : W

Theatrical: 1998

Studio: New Line Home Video

Genre: Comedy

Duration: 110

Summary: Robert DeNiro stars as a Washington spinmaster who needs a war to distract public's attention from a sex scandal involving the President. Dustin Hoffman received an Academy Award nomination for his role in this biting political satire.

Theatrical: 1997

Studio: Turner Home Ent

Genre: Art House & International

Duration: 84

Summary: One of the funniest films in many a moon was hiding at art house theaters in 1998. Former "Saturday Night Live" comedian and Spinal Tap member Christopher Guest creates the ultimate parody of small-town dramatics, "Waiting for Guffman". Corky St. Claire (Guest), an overwhelming drama director hiding out in Blaine, Missouri, thinks he has found the vehicle to put him back on Broadway: the city's 150th anniversary play, "Red, White, and Blaine." As rehearsals start, we learn of the town's history ("the stool capital of the world") including a brush with a UFO. The mockumentary follows the various townsfolk wishing for stardom: Parker Posey as a Dairy Queen clerk, Catherine O'Hara and Fred Willard as stage-struck travel agents, Matthew Keeslar as the town's bad boy, and Eugene Levy (who cowrote the film with Guest) as a dentist who dreams of glory on the stage. The film is a hoot from beginning to end, and be sure to watch the closing credits. Fans of Guest's deft dry humor should not miss his other parody of the entertainment world, "The Big Picture" (Kevin Bacon as a student filmmaker who goes to Hollywood). "--Doug Thomas"

Theatrical: 2001

Studio: 20th Century Fox

Genre: Comedy

Duration: 100

Summary: "Waking Life" is a film that never settles down. Or maybe it never wakes up. Regardless, Richard Linklater's animated meditation seems to strike a perfect balance between the plotless meanderings of "Slacker" and the unquenchable knowledge-seeking of Hermann Hesse's "Siddhartha". Any way you look at it, this is a weird, original movie.
As he attempts to figure out what separates dreams from reality, the protagonist ("Dazed and Confused"'s Wiley Wiggins) hears an earful from everyone he stumbles upon. Ramblings range from the scholarly (Linklater's former college professor Robert C. Solomon gives a monologue) to the banal (of which there are plenty). Ethan Hawke, Julie Delpy, Steven Soderbergh, and Adam Goldberg all get animated cameos, basically playing themselves. The dream-centered dialogues eventually grow mind-numbing, but that's OK; the animation steals the show. Each frame of the movie, which was first shot with live actors, was painted over, and the process renders a distorted and trippy collage of sights and sounds. Linklater's film is ultimately quite poignant, but, as with any good journey, you'll need to sit through some fairly tedious moments before reaching the destination. "--Jason Verlinde"

Theatrical: 1998

Studio: 20th Century Fox

Genre: Comedy

Duration: 91

Summary: When local wag Jackie O'Shea (Ian Bannen) discovers that one of his neighbors in the village of Tulaigh Mohr is a lottery winner he sees a chance to share in the wealth. Things get complicated when Jackie and his pal Michael O'Sullivan (David Kelly) discover that the winner, Ned Devine, died of shock at the very moment he learned of becoming a millionaire. Undaunted, Jackie and Michael dispose of the lucky stiff and hatch a plot to impersonate him and claim the prize. Soon the whole village is involved and the plot rapidly thickens.
This film has been compared to "The Full Monty", but it lacks the vein of desperation that added depth to that film. Instead, "Waking Ned Devine" is closer in tone to classic British comedies like "Whisky Galore!", with its cast of eccentrics gleefully conspiring to outwit the authorities. Those with a low tolerance for twinkly eyed Irish charm might be tempted to steer clear, although the movie is saved, for the most part, by its central performances. Bannen is superb as an old man who is clearly hungry for any excitement he can drum up and David Kelly is remarkable as his scrawny sidekick. Kelly has had a long career as a character actor in film and television, but here he has a chance to really let loose. His naked motorcycle ride is a marvelous set piece and in all of his other scenes his twitchy, perfectly timed performance quite simply steals the movie. "--Simon Leake"

Theatrical: 2007

Studio:

Genre: Drama

Duration: 108

Summary:

Theatrical: 2008

Studio:

Genre: Action

Summary:

Theatrical: 2006

Studio:

Genre: Horror

Duration: 88

Summary: Unusual attacks are occurring all over the united states-old WWII veterans are being hunted down ruthlessly. When it is discovered that an undead trio of Nazi zombies are behind the attacks, it's up to special agent Conda, a member of the mysterious vanguards, to save the last remaining veteran from certain doom.

Theatrical: 2005

Studio: Dreamworks Video

Genre: Action & Adventure

Duration: 117

Summary: Despite super effects, a huge budget, and the cinematic pedigree of alien-happy Steven Spielberg, this take on H.G. Wells's novel is basically a horror film packaged as a sci-fi thrill ride. Instead of a mad slasher, however, Spielberg (along with writers Josh Friedman & David Koepp) utilizes aliens hell-bent on quickly destroying humanity, and the terrifying results that prey upon adult fears, especially in the post-9/11 world. The realistic results could be a new genre, the grim popcorn thriller; often you feel like you're watching Schindler's List more than Spielberg's other thrill-machine movies ("Jaws", "Jurassic Park"). The film centers on Ray Ferrier, a divorced father (Tom Cruise, oh so comfortable) who witnesses one giant craft destroy his New Jersey town and soon is on the road with his teen son (Justin Chatwin) and preteen daughter (Dakota Fanning) in tow, trying to keep ahead of the invasion. The film is, of course, impeccably designed and produced by Spielberg's usual crew of A-class talent. The aliens are genuinely scary, even when the film--like the novel--spends a good chunk of time in a basement. Readers of the book (or viewers of the deft 1953 adaptation) will note the variation of whom and how the aliens come to Earth, which poses some logistical problems. The film opens and closes with narration from the novel read by Morgan Freeman, but Spielberg could have adapted Orson Welles's words from the famous Halloween Eve 1938 radio broadcast: "We couldn't soap all your windows and steal all your garden gates by tomorrow night, so we did the best next thing: we annihilated the world." "--Doug Thomas"
"War of the Worlds" at Amazon.com
The Soundtrack
"The War of the Worlds" (1953)
"War of the Worlds - The Complete First Season" (TV series)
Classic Sci-Fi Movies and Their Remakes
Aliens Invade on DVD
The Prog-rock Opera (no kidding)

Theatrical: 2005

Studio: First Look Pictures

Genre: Drama

Duration: 100

Summary: Awkward title aside, "Wassup Rockers" is Larry Clark on good vibes. For his fifth feature, the photographer-turned-filmmaker turns his lens towards a close-knit band of Latino teens. They dress like the Ramones (long hair, tight jeans) and crank out a brand of hardcore that suggests early Suicidal Tendencies--mostly, they live to surf the sidewalks of LA. The central rocker is 15-year-old Jonathan (Jonathan Velasquez, rough but charming). He's joined by Milton, Kico, Eddie, Porky, Louie, and Carlos (like Velasquez, all non-professionals). As unlikely as it may sound, the storyline parallels "The Swimmer" and "The Warriors" in that their goal is to get from one end of town to the other, i.e. from Beverly Hills to South Central. (The obstacles have changed, but the objective remains the same.) Critics have painted "Wassup Rockers" as lighter than previous Clark pictures, and they've got a point, but it's a relative term. The movie does, after all, open with a murder, and the MPAA slapped it with an R for pervasive language and sexual content. Well, he may not come from their world, but Clark couldn't be more sympathetic towards his protagonists. If anything, he's too hard on the Caucasian characters, many of whom are fairly reprehensible--one of the film's major missteps. Of course, there are also a few obligatory shots of bare-chested boys (a Clark trademark), but his gaze is less voyeuristic than before. For the most part, "Wassup Rockers" is as exhilarating and, yes, "life affirming" as cinema can get. "--Kathleen C. Fennessy"

Theatrical: 1992

Studio: Paramount

Genre: Comedy

Duration: 94

Summary: TV's "Saturday Night Live" has been like the evil twin of the legendary alchemist's stone, which supposedly could turn lead into gold. "SNL" usually does the opposite, taking rich comic premises from short skits and extrapolating them into overblown and unfunny full-length films. ("The Coneheads"? Puh-leeze!) But this film proved to be the exception, thanks to Mike Myers's wonderfully rude lowbrow humor and his full-bodied understanding of who his character is. Wayne Campbell (Myers) and his nerdy pal Garth (Dana Carvey) are teens who live at home and have their own low-rent cable-access show in Aurora, Illinios, in which they celebrate their favorite female movie stars and heavy-metal bands. When a Chicago TV station smells a potential youth-audience ratings hit, the station's weasely executive (Rob Lowe) tries to coopt the show--and steal Wayne's new rock & roll girlfriend (Tia Carrere) at the same time. It's filled with all kinds of knowing spoofs of movie conventions, from Wayne talking to the camera (and forbidding other characters to do so) to hilariously self-conscious product placements and labeling a moment a "Gratuitous Sex Scene." Dumb--and very funny. "--Marshall Fine"

Theatrical: 2005

Studio: New Line Home Video

Genre: Comedy

Duration: 128

Summary: With Vince Vaughn and Owen Wilson as a pair of brazen wedding crashers, this buddy/romantic comedy milks a few big laughs from its foolproof premise. Under the direction of David Dobkin (who previously worked with Wilson on "Shanghai Knights"), the movie ranges from bawdy romp to mushy romance, and that tonal identity crisis curtails the overall hilarity. But when the well-teamed costars are firing on all pistons with fast-paced dialogue and manic situations, belly laughs are delivered at a steady clip. Things get complicated when the guys infiltrate the family of the Treasury Secretary (Christopher Walken), resulting in a romantic pair-off between Vaughn and the congressman's oversexed daughter Gloria (Isla Fisher) while Wilson sincerely woos another daughter, Claire (Rachel McAdams), who's unhappily engaged to an Ivy League cheater (Bradley Cooper). Walken is more or less wasted in his role, but Jane Seymour and Henry Gibson make amusing appearances, and a surprise guest arrives late in the game for some over-the-top scene-stealing. It's all a bit uneven, but McAdams (considered by some to be "the next Julia Roberts") is a pure delight, and with enough laughs to make it easily recommended, "Wedding Crashers" will likely find its place on DVD shelves alongside other flawed but enjoyable R-rated comedies that embrace a naughtier, nastier brand of humor with no need for apologies. "--Jeff Shannon"
On the DVD
The "Uncorked" edition of "Wedding Crashers" adds about 8 minutes of footage to the theatrical release. Of chief interest are extended beach and bathroom scenes between Vince Vaughn and Isla Fisher, and Vaughn's extended confession to Father O'Neil (Henry Gibson), but there are also new scenes featuring Keir O'Donnell as the eccentric Todd and Ellen Albertini Dow as the potty-mouthed grandmother. This edition is billed as unrated because it wasn't resubmitted to the MPAA, but the sexier bathroom scene and coarser confession aren't particularly raunchier than the original film, and there's no additional nudity. You can watch the Uncorked edition once to see the new footage, but for subsequent viewings you'll probably choose to stick with the theatrical release, which is also included on the DVD.
Bonus features consist of two very good commentary tracks, one by director David Dobkin and another by Vaughn and Owen Wilson. Dobkin's is more technically informative, and he specifically discusses why the added scenes were originally cut. Vaughn and Wilson are a little more subdued than might be expected, but they share some laughs, recall some material that was left out, and wander into irrelevant territory such as football and Wilson's dog. Other features include four deleted scenes with optional commentary by Dobkin, and two featurettes covering the making of the film (including the logistics of staging five different weddings, and interviews with the "magic and balloon consultant") and Vaughn and Wilson's meandering discussion of "the rules" of wedding crashing. For a more organized recap, there's a 24-screen text-only list of all the rules. The opening menu is clever, but slow to load after you've watched it the first time. "--David Horiuchi"

Vince Vaughn's Movies
Why We Love Rachel McAdams
Owen Wilson's Movies
The Soundtrack
The Return of Crass Comedy
"The 40-Year-Old Virgin"

Theatrical: 1998

Studio: New Line Home Video

Genre: Comedy

Duration: 97

Summary: You're better off having been born after, say, 1965, if you really want to enjoy this corny romantic comedy and its abundant references to the MTV culture of the mid-1980s--and even then the odds are only 50-50 that you'll have a shamelessly good time. But a lot of people beat those odds, because "The Wedding Singer" was a surprise box-office hit when released in early 1998, and it resulted in "Saturday Night Live" graduate Adam Sandler's salary going ridiculously sky-high. It's a schizophrenic film about a seemingly schizophrenic wedding singer (Sandler) who's charmingly sweet to some people but a tongue-lashing maniac to others, probably out of frustration over his fading ambition as a wannabe rock star (not to mention Sandler's penchant for loud-mouthed lunacy). When he meets an admiring young waitress (delightfully played by Drew Barrymore), it's love at first sight, complicated by their pending marriages to "much" less appealing fiancés. The plot then contorts itself to accommodate this contrived will-they-or-won't-they? scenario, so you're better off ignoring the love story and focusing on the comedy, which is sporadic but occasionally hilarious. This is also a lighter, friendlier Sandler than moviegoers had seen before, which probably accounts for the movie's success. Toss in a fine supporting cast--including a show-stopping drunk act by indie-movie stalwart Steve Buscemi--and you've got the ingredients for a no-brainer that's ultimately more fun than it is annoying. "--Jeff Shannon"

Theatrical: 2004

Studio: Geffen Records

Genre: Music Video & Concerts

Duration: 180

Summary: If you are a Weezer fan of any kind, this is the DVD for you, I promise. The first time I saw the DVD, I thought the endless amount of videos and music were incredible. This is truly the epitome of a good "band DVD", none of that unauthorized bull. If you love Weezer, this is definitely worth your time and money.

Theatrical: 1985

Studio: Universal Studios

Genre: Comedy

Duration: 94

Summary: Yes, that is Bill Paxton as Ilan Mitchell-Smith's militaristic big brother. And that's Robert Downey Jr. as one of the in-crowd jerks who makes nerds Mitchell-Smith and Hall's lives miserable. Fortunately, this is a John Hughes comedy and our smart nerds create the perfect woman, Lisa (Kelly LeBrock), using a computer and voodoo. Lisa is a willing sex toy, has magical powers, and just wants to help the boys get even and meet nice babes. She even cleans up. The fantasy ebullience of Hughes is given full rein here and that's good and bad (mostly good). It's all aimed at a certain kind of hormone-addled, 16-year-old sensibility; but who doesn't have a little bit of that in them? "--Keith Simanton"

Theatrical: 1996

Studio: Sony Pictures

Genre: Action & Adventure

Duration: 87

Summary: What is junior high school but a strange, disorienting pastiche of black comedy, tragedy, soap opera, and (most of all) horror movie? Well, that pretty much describes Todd Solondz's astonishingly honest and clear-sighted film, "Welcome to the Dollhouse". Like Solondz's even more controversial follow-up--the acclaimed and despised "Happiness" (1998)--"Dollhouse" unflinchingly looks deep into its characters' souls (and their embarrassing desires, and their floundering sexuality) in ways that can be simultaneously disturbing and liberating, appalling and hilarious. Dawn Wiener (Heather Matarazzo) is a hapless seventh-grade geek whose cruel and contemptuous schoolmates have nicknamed her (what else?) "Wiener Dog." Everything about Dawn is so awkward--the way she looks, talks, moves--that it's no wonder other kids dump on her. They're most likely so insecure about themselves that they're terrified of the Wiener Dog they know lurks somewhere down inside themselves, too. So, the best social and psychological survival tactic is to distance themselves from Dawn by relentlessly reminding her of her "place" at the bottom of the junior-high pecking order. Solondz's vision is hardly sentimental, and you wouldn't even call it "compassionate," but it is a moral vision: authentic, undiluted, and, in the end, understanding. "--Jim Emerson"

Theatrical: 2001

Studio: Universal Studios

Genre: Comedy

Duration: 97

Summary: Tasty and nutrition-free as a snow cone on a hot summer day, "Wet Hot American Summer" is a silly, hilarious throwback to those mildly smutty early-'80s teen comedies. It takes place on the last day of Camp Firewood's 1981 season, and it's everyone's last chance for romance, self-realization, and of course the Big Talent show. The movie is filled with brilliant comic performances; it looks like the cast just took over a summer camp and had a great time. Writers Michael Showalter and David Wain have captured the essence of parody: absolutely nailing the conventions of their subject, kidding the hell out of it, and all the while showing a real fondness for the genre. People unfamiliar with "Meatballs" and its many imitators may well be left cold by "Wet Hot American Summer", but anyone born between 1965 and 1980 will love it. "--Ali Davis"

Theatrical: 2004

Studio: 20th Century Fox

Genre: Action & Adventure

Duration: 108

Summary: The unlikeliest cult hit of 2004 was "What the (Bleep) Do We Know?", a lecture on mysticism and science mixed into a sort-of narrative. Marlee Matlin stars in the dramatic thread, about a sourpuss photographer who begins to question her perceptions. Interviews with quantum physics experts and New Age authors are cut into this story, offering a vaguely convincing (and certainly mind-provoking) theory about... well, actually, it sounds a lot like the Power of Positive Thinking, when you get down to it. Talking heads (not identified until film's end) include JZ Knight, who appears in the movie channeling Ramtha, the ancient sage she claims communicates through her (other speakers are also associated with Knight's organization). What she says actually makes pretty good common sense--Ramtha's wiggier notions are not included--and would be easy to accept were it not being credited to a 35,000-year-old mystic from Atlantis. "--Robert Horton"

Theatrical: 1989

Studio: MGM (Video & DVD)

Genre: Comedy

Duration: 96

Summary: "Brimming over with style, intelligence and flashing wit" (Rolling Stone), this "splendid and irresistible" (Los Angeles Times) film from director Rob Reiner(American President is one of the best-loved romantic comedies of all time. Featuring dazzling performances from Meg Ryan, Billy Crystal, Carrie Fisher and Bruno Kirby, exceptional music from Harry Connick Jr., and an OscarÂ(r)-nominated* screenplay by Nora Ephron, When Harry Met Sally is an "explosively funny" commentary on friendship, courtships - and other hardships - of the modern age (Newsweek)! Will sex ruin a perfect relationship between a man and a woman? that's what Harry (Crystal) and Sally (Ryan) debate during their travels from Chicago to New York. And eleven years and later, they're still no closer to finding the answer. Will these two best friends ever accept that they're meant for each other...or will they continue to deny the attraction that's existed since the first moment When Harry Met Sally? *1989

Theatrical: 2006

Studio:

Genre: Documentary

Duration: 106

Summary: Shot over two years and in seven countries, the feature-length documentary Whiskey on a Sunday is an intimate portrait of the Irish-infused rock band Flogging Molly. The film tracks the group of musicians from their bar-band roots to their current success, including footage of the band in the studio, on tour, at home and at their sold-out homecoming performance at the Wiltern Theater in Los Angeles Whiskey on a Sunday is an "in-the-pocket" experience with the candid and charismatic Flogging Molly family. Bound by intense passion, unwavering honesty and "some weird juju," the seven members and their associates provide a good look at how things can be done against the grain. Bucking tradition, industry naysayers and inflexible business models, front man Dave King and crew illustrate their own formula for success: believing in oneself, refusing to be pigeonholed, and rising from humble beginnings to fulfill a dream, set to the driving folk beat of their vibrant live performances. Whiskey on a Sunday includes dozens of candid and rare photographs, archival footage, and several unreleased songs.

Theatrical: 2006

Studio:

Genre: Documentary

Duration: 74

Summary:

Theatrical: 1990

Studio: MGM (Video & DVD)

Genre: Action & Adventure

Duration: 124

Summary: David Lynch's 1990 "Wild at Heart" is an utterly random and ugly experience with pockets of startling imagery and inspired set pieces. Based on a Barry Gifford novel, the film stars Nicolas Cage and Laura Dern as lovers on the lam whose relationship is tested and who meet some truly dangerous wackos (including an almost-simian Willem Dafoe). Lynch's thoughts seem to be everywhere, and he expects the audience to keep up with a story that seems more a collection of avant-garde whims than a coherent vision with the intuitive brilliance of his "Blue Velvet". Cage gives one of his more chaotic performances, but then he was just reading Lynch's signposts. "--Tom Keogh"

Theatrical: 1971

Studio: Warner Home Video

Genre: Comedy

Duration: 100

Summary: A poor little boy wins a ticket to visit the inside of a mysterious and magical chocolate factory. When he experiences the wonders inside the factory, the boy discovers that the entire visit is a test of his character.

Theatrical: 2002

Studio: MGM (Video & DVD)

Genre: Action & Adventure

Duration: 134

Summary: Having earned Hollywood's respect with blockbusters like "Face/Off" and "Mission: Impossible 2", Hong Kong action master John Woo lends his signature style to serious World War II action in "Windtalkers". Recognizing the long-forgotten contribution of Navajo "code talkers," whose use of an unbreakable Navajo-language radio code was instrumental in defeating the Japanese, the film serves as an admirable tribute to those Native American heroes. Unfortunately, it falls short of importance with its standard-issue story about a battle-scarred sergeant (Nicolas Cage) assigned to protect a code-talker (Adam Beach, from "Smoke Signals"), with unspoken orders to kill him if Japanese capture is imminent. This allows for an involving drama of hard-won friendship, but cardboard supporting characters suffer in the shadow of nonstop action that's as repetitious as it is technically impressive. "Windtalkers" is best appreciated as a more substantial vehicle for Woo's trademark ballet of bullets. "--Jeff Shannon"

Theatrical: 1939

Studio: Warner Home Video

Genre: Comedy

Duration: 103

Summary: An All-New Wizard of Oz With State of The Art Ultra-Resolution Picture Quality and Over 10 Hours of Bonus Extras.
DVD Features:
Audio Commentary:Commentary by John Fricke and multiple cast and crew members.
Biographies:We Haven't Really Met Properly - includes 9 orginal cast biographies
Deleted Scenes:If I Only Had a Brain; If I Only Had a Heart; Triumphal Return to Emerald City; Over the Rainbow; The Jitterbug
Documentary:Memories of Oz -2001 TCM documentary
Featurette:The Wonderful Wizard of Oz Storybook; Prettier Than Ever: The Restoration of Oz; The Art of Imagination: A Tribute to Oz; Because of the Wonderful Things it Does: The Legacy of Oz
Music Clips:Audio Vault Includes: Over the Rainbow; Munchkinland Medley Rehearsal Recordings; Munchkinland Medley Sequence Recordings; Munchkinland Medley Voice Tests; If I Only Had a Brain; We're Off to See the Wizard; If I Only Had a Heart; If I Only Had the Nerve/We?re Off to See the Wizard; Emerald City/The Merry Old Land of Oz; If I Were King of the Forest; The Jitterbug; Over the Rainbow/Triumphal Return to Emerald City; Kansas Underscoring; Munchkinland Underscoring; and more
Music Only Track
Newsreel:Cavalcade of the Academy Awards Excerpt - 1939 newsreel
Other:Another Romance of Celluloid: Electrical Power - 1938 MGM short; Leo Is on the Air Radio Promo; Good News of 1939 Radio Show; 12/25/1950 Lux Radio Theater Broadcast
Photo gallery:Oz on Broadway; Pre-MGM; Sketches and Storyboards; Costume and Make-up Tests; Richard Thorpe's Oz; Buddy Ebsen; Oz Comes to Life; Behind the Scenes; Portraits; Special Effects; Post Production; Deleted Scenes; Original Publicity
TV Special:The Wonderful Wizard of Oz: The Making of a Movie Classic - 1990 TV special
Theatrical Trailer:1939 What is Oz? Teaser; 1940 Loews Cairo Theater Trailer; 1949 Re-issue Trailer; 1949 Grownup Re-issue Trailer; 1970 Children's Matinee Re-issue Trailer; 1998 Warner Bros. Re-issue Trailer; Texas Contest Winners [1939 trailer]

Theatrical: 2000

Studio: Paramount

Genre: Comedy

Duration: 112

Summary: "Wonder Boys" is one of those movies in which more twists and turns disrupt the life of the hero in one weekend than would bother most of us our whole lives. Professor Grady Tripp (Michael Douglas) is an aging one-novel wunderkind at a small Pittsburgh college who's laboring on his seven-years-in-the-making, 2000-plus page second opus with no end in sight. The morning of the college's literary lollapalooza, WordFest, Grady's wife leaves him; that evening, his mistress (Frances McDormand) announces she's pregnant (she's also the chancellor of the school, as well as the wife of Grady's boss). Grady's voracious editor (Robert Downey Jr.) is also in town, transvestite date in tow, determined to read the highly anticipated new book; there's also the nubile student (Katie Holmes), who seems more than willing to ease Grady's pain. And then there's James Leer (Tobey Maguire), the mordant and brilliant writing student who's the catalyst for Grady's lost weekend, which involves a soon-to-be-dead blind dog, a stolen car, and the jacket that Marilyn Monroe wore when she wed Joe DiMaggio.
Had enough flights of fancy? It's only the beginning, and in the hands of director Curtis Hanson ("L.A. Confidential") and screenwriter Steve Kloves ("The Fabulous Baker Boys"), "Wonder Boys" will have you begging for more. Adroitly adapting Michael Chabon's novel and distilling it to its droll, melancholy essence, Kloves and Hanson have fashioned a briskly unsentimental and darkly funny tale; these characters may be down on their luck, but they sure don't feel sorry for themselves. Douglas, by turns dryly sarcastic and sincerely heartfelt, single-handedly makes up for years of alpha-male posturing as the passive pothead Tripp, and whoever thought of pairing him with the resilient McDormand is brilliant--they convey the complexities and history of their relationship in a single glance or movement. And under Hanson's guidance, the rest of the cast is truly exceptional, with Maguire in a breakthrough performance and Downey at his manic best. The ending of "Wonder Boys" may feel a little too pat, but after everything these characters have been through, a happy ending seems a just reward. "--Mark Englehart"

Theatrical: 2004

Studio: Buena Vista Home Entertainment / Touchstone

Genre: Drama

Duration: 108

Summary: In a quiet, isolated village in olde Pennsylvania, there lies a pact between the people of the village and the creatures who reside in the surrounding woods: the townspeople do not enter the woods, and the creatures do not enter the village. The pact stays true for many years, but when Lucius Hunt seeks medical supplies from the towns beyond the wood, the pact is challenged. Animal carcasses, devoid of fur, begin to appear around the village, causing the council of elders to fear for the safety of the village, the pact, and so much more.

Theatrical: 2006

Studio: Sony Pictures

Genre: Horror

Duration: 91

Summary: In 1965, after provoking a fire in a forest, the rebel teenager Heather Fasulo is sent to the boarding school Falburn Academy in the middle of the woods by her estranged mother Alice Fasulo and her neglected father Joe Fasulo. The dean Ms. Traverse accepts Heather in spite of the bad financial condition of her father. The displaced Heather becomes close friend of he weird Marcy Turner, while they are maltreated by the abusive mate Samantha Wise. During the nights, Heather has nightmares and listens to voices from the woods, and along the days she believes that the school is a coven of witches. When some students, including Marcy, simply vanish, Heather believes she will be the next one.

Theatrical: 1982

Studio: Warner Home Video

Genre: Comedy

Duration: 136

Summary: Based on the John Irving novel, this film chronicles the life of T S Garp, and his mother, Jenny. Whilst Garp sees himself as a "serious" writer, Jenny writes a feminist manifesto at an opportune time, and finds herself as a magnet for all manner of distressed women.

Theatrical:

Studio:

Genre:

Summary: