From: Jody2112@aol.com THE COMMERCIAL APPEAL Copyright 1996 The Commercial Appeal, Memphis, TN DATE: THURSDAY, February 8, 1996 PAGE: C1 EDITION: Final SECTION: Appeal LENGTH: Medium SOURCE: By*Jody*Callahan* The Commercial Appeal DATELINE: ATLANTA *BIG*STAR*GIVES ATLANTA TASTE OF ORIGINALITY Just a block behind the Roxy Theater is an abandoned*Big*Star*grocery, its name barely visible, while wavy plastic and rotting plywood hide the windows and door. The metaphor was just too perfect to ignore. Because playing inside the Roxy Wednesday night was the*Big*Star,*the legendary Memphis band that borrowed its name from that same grocery chain 25 years ago. And not so long ago,*Big*Star*the band was much like that grocery store - defunct, a memory. After three poor-selling records, the last of which was recorded in 1974 and released in 1978, the band dissolved into legend, with bootleg tapes and ragtag albums surviving in the underground. But in 1993, two University of Missouri students managed a feat most thought impossible. Somehow, they convinced original members Alex Chilton and Jody Stephens to play again as*Big*Star*in Columbia, Mo. And Wednesday, in recognition of their 25th anniversary and as an opportunity to spotlight the Idle Wilds and Spot, two young bands signed to Ardent Records, the band played again, their first gig since a November show in New York. No mention was made of the anniversary in the compact 17-song, 90-minute set. In a sense, that was appropriate, because the show was far from a paean to history. No, the 350 fans - many of whom continuously shouted out their favorite song titles - saw a band that sounds as fresh and vivid as it did a quarter- century ago. From the opening strains of In the Street through the venomous Don't Lie To Me through Back of a Car through . . . well, through most of the show, the band played with an urgent sense of control that even applied to the notoriously flammable - the nice word is ''mercurial'' - Chilton, who appeared to genuinely enjoy himself. And the classic songs were only enhanced by the crunch of Posies guitarist Jon Auer and bassist Ken Stringfellow. Handling most of the work on Feel, the pair gave a near perfect version, complete with the nasty snarl of the original. The night's only disappointment was The Ballad of El Goodo, a tender slice of melancholy in which Chilton sounded far too happy. So, right now several of you are probably wondering: what's your point? I know Elvis, I know Jerry Lee, I know Al Green and I know W. C. Handy, but who are these guys and why should I care? Here's why. If you're a member of the generation that ruled when*Big*Star* first formed in 1971, odds are good your children and maybe you are listening to music that traces its origins to this Memphis band. Or if you have 96X and 107.1 as your first two car stereo preset stations, listen up. Because much of what you're hearing on those stations calls*Big**Star*its fountainhead. Among the bands influenced by*Big*Star:*R.E.M. The Replacements. The Counting Crows. Matthew Sweet. dB's. The Pretenders. The Bangles. Teenage Fanclub. The Posies. All speak reverently of*Big*Star*(especially the Replacements, who recorded perhaps their best song in Memphis simply called Alex Chilton). So, just why is this music so influential? Well, listen to their first album, ''No. 1 Record.'' It still rings with a vibrancy and clarity that belies its age. Listen to the emotional skyline behind The Ballad of El Goodo. Listen to the unfettered pop melody of September Gurls or When My Baby's Beside Me. And then absorb Chilton's lyrics. Long considered a postmodern anti-Lennon, Chilton's lyrics, even those penned 25 years ago, still strike an emotional resonance today. So take that pop mentality, blend it with a dark, lyrical style and let it evolve over 25 years, and you have the legend of*Big*Star.