The Plain Dealer November 5, 1993 Friday, FINAL / ALL SECTION: FRIDAY; Pg. MAG 42 LENGTH: 634 words HEADLINE: BEAT CONTINUES, STURMER FINDS VOICE BYLINE: By TINA MAPLES; ST. PETERSBURG TIMES BODY: For many years the only thing Andy Sturmer wanted to be was a drummer. "I only started to sing because I really felt like I wanted to start writing music and there were no singers around," says the 27-year-old San Franciscan. He laughed. "Actually, my singing just started as a really bad Sting impression because I was really into the Police. I remember my mom saying, 'Andy, just stick to the drums and you'll be fine.' To music's good fortune, he didn't follow her advice. Nor did he give up drums. Now he's having his cake and eating it, too, as both lead singer and drummer of Jellyfish, the pop quartet he fronts with his longtime best friend, keyboardist Roger Manning, also 27. Sturmer's distinctive lead vocals, delivered while he pounds away on his stand-up drum kit, are only the beginning of Jellyfish's quirky appeal. "Spilt Milk," the band's followup to its critically praised 1990 debut, "Bellybutton," comes across like a sonic pinball machine running at full tilt. Giddy references to everything from the Beatles and the Beach Boys to Queen sweep through "Milk's" dense but deft kitchen-sink production, which incorporates everything from actual harpsichord and accordion to flutes and tuba. Live, the group pares down its production and relies on its main strengths: devastatingly sweet melodies and strong vocal harmonies. Like a good musician should, the friendly and humble Sturmer bristled slightly at the suggestion that Jellyfish's music is derivative, albeit in a most devilishly clever way. "There are certainly bits of what we do that people could go, 'This sounds to me like that,' but I think that's just a bit of a wank, frankly,' Sturmer says. "I think music is supposed to sweep over you and affect you emotionally. ... I think when things are referenced to death, it's like trying to describe the color blue to a blind person." If anyone could do it, it's Sturmer. The group's sole lyricist, he packs every inch of the group's pretty melodies with inventive word play and vivid imagery. "Lyrically, I have a very short attention span," Sturmer says with a laugh. 'I see different puns developing and things, and I start going off in different tangents. ... You get the face value of the lyrics, plus you get the secret decoder message and the pun side. So it's just more bang for your buck, basically.' Manning and Sturmer first began playing together in high school jazz groups in Pleasanton, Calif. "Eventually we got into this kind of angry rock phase, or as angry as you can be being from the suburbs, writing songs about mowing the lawn on Sunday," Sturmer says, laughing again. After being signed to Virgin Records solely on the basis of some self-produced demo tapes, Manning and Sturmer recorded "Bellybutton" as a trio with guitarist Jason Falkner, whom Manning had met in college. Eager to get that "band vibe" and avoid the appearance of being a studio project, they taught Manning's younger brother Chris to play bass. All too soon, however, the new quartet found itself pared back to a duo. Falkner left the band after Manning and Sturmer rebuffed his demands for more artistic input, while the overwhelmed younger Manning bowed out after the group toured as an opening act for INXS and Black Crowes. "Three months after Chris was just a guy going to college studying journalism, he was playing in front of 40,000 people at Wembley Stadium," Sturmer says sympathetically. "It was really a culture shock for him and I think he freaked out about it. After we were on the road for about a year, he just said, 'This is not me. This is not what I want to do.' "Spilt Milk" was primarily a duo project, with new - and, with luck, permanent - bassist Tim Smith and guitarist Eric Dover joining for the road. GRAPHIC: PHOTO BY: No credit; Photo of ANDY STURMER The Plain Dealer, November 5, 1993 LANGUAGE: ENGLISH LOAD-DATE: November 6, 1993