The Seattle Times March 12, 1991, Tuesday, Final Edition SECTION: ARTS, ENTERTAINMENT; Pg. B2 LENGTH: 485 words HEADLINE: JELLYFISH SWIMS IN A SEA OF PSYCHEDELIA BYLINE: BY PATRICK MACDONALD BODY: Jellyfish and the First Thought last night at the Backstage. by Patrick MacDonald Times staff critic Get out the love beads, Martha, the '60s are back. "The Doors" movie is just one sign of the resurgence of the psychedelic era. Last night at the Backstage a San Francisco band called Jellyfish looked and sounded like something from a late-'60s time warp. Even before the foursome hit the stage, the tone was set by the flowers - including big fake daisies - intertwined on the microphone stands, the red and green Christmas-tree lights strung on a miniature picket fence, and the silent machine that wafted big wet bubbles over the audience. The band bounded on stage in Day-Glo costumes and silly hats - including a red fireman's cap - and the very first notes brought giggles from the packed crowd. It was the urgent, pounding, melodramatic organ intro to Argent's immortal "Hold Your Head Up." The group played the song straight, all the way through, like they really meant it. That sense of humor - so rare in rock - was sustained through the whole set, right to the encore of Fleetwood Mac's "Go Your Own Way," which moved the time element up to the late '70s. Joining Jellyfish for the rousing closer were two members of Seattle' s own favorite retro band, the Posies, Jonathan Auer and Ken Stringfellow. Jellyfish lead singer/drummer Andy Sturmer kept comparing Seattle bands to San Francisco bands, making the point that Seattle has the better scene these days, as compared to the '60s when San Francisco reigned supreme. "Seattle's got Soundgarden and the Posies," he observed. "San Francisco's got Nightranger and Greg Kihn. . . . You have Mudhoney. We have Santana." Sturmer played drums standing up, joining the rest of the group in a line across the front of the stage. Roger Manning played keyboards and strong lead guitar, Jason Falkner played rhythm guitar, and Chris Manning, Roger's brother, played bass. All four contributed to the vocal harmonies, which were in a Hollies vein. Those harmonies, along with Beatles-like harmonica and Hendrix-like wah-wah guitar, helped create a sense of goofy nostalgia that made Jellyfish instantly likable. The band is young and full of potential, but it already has a strong sense of style and a quirky individuality. Most of the tunes came from the band's debut album, "Bellybutton," including the first single and video, "The King Is Half Undressed." Among the other cover tunes were Badfinger's "No Matter What" and a hilariously accurate rendering of Paul McCartney's "Jet." The show opened with a tight, eclectic set by the First Thought, which showed influences ranging from U2 to rap to Top 40 pop. The Seattle band created a little nostalgia of its own with a cover of the Beatles' "She Said She Said."