The Guardian June 5, 1995 SECTION: THE GUARDIAN FEATURES PAGE; Pg. T8 LENGTH: 520 words HEADLINE: ARTS: POP: TEENAGE FANCLUB; Shepherd's Bush Empire BYLINE: Adam Sweeting BODY: YOU CAN tell a lot about a band from their choice of cover versions. As their tumultuous set rampaged to a close, Teenage Fanclub ripped through Alex Chilton's Free Again, and a souped-up version of the Beatles' Rain. The Teenies have never made any secret of where they're coming from. More to the point, they've rediscovered a clear idea of where they're going. If 1991's Bandwagonesque seemed too epic not to herald a major breakthrough, the subsequent Thirteen found the Fanclub travelling if not in reverse, then at least sideways. But now it's 1995 and they've made Grand Prix, an album which perfectly distils so many golden pop moments that it's as if it has always existed, in theory if not in fact. They seem to have heeded their own advice, included in the opening track, About You: "take my time and I can find my way". Reservations have been expressed in some quarters about Norman Blake's newly -acquired beard, which does have the alarming effect of making the guitarist a dead ringer for Richard Branson if you're standing further than 10 feet away. However, it also lends an air of mild surrealism to his antics as master of ceremonies, as Blake rabbits on about his band, the press, and the new album. Where Grand Prix (the disc) sounds crunchy and crystalline, the live sound is beefier and growlier, as if they've sampled in some roars and howls from a Formula 1 pit-lane. The vocal harmonies are rougher and less pretty, while their playing stampedes along with remorseless muscularity. Grunge? Pah! The Fanclub have chewed it up and spat it out. As the front rows bounced and heaved under dramatic washes of green and blue light, the band peeled off short, sharp highlights from their catalogue - a choppy What You Do To Me, a sprawling Alcoholiday, an adorably janglesome Sparky's Dream. At the moment, Teenage Fanclub are playing the game of their lives. Tomorrow, the world?